How to Draw a Cheetah

With its sleek, streamlined body, and long, muscular limbs, the cheetah is built for speed. Capable of running at an incredible 70 mph, the cheetah is faster than the rest of the big cats, or any other land mammal. As you draw, try to bring out the power and grace of this beautiful feline.

 The key to drawing anything is to break it down into basic shapes. If you can draw circles and ovals, you can draw a cheetah.  Don't be discouraged if your first attempt doesn't turn out exactly like the picture. Practice makes perfect, so let's begin!

Click the image below to view the step-by-step cheetah drawing tutorial.

Don’t give up if your first drawings aren’t perfect. Art is not something that can be learned overnight. Drawing is a skill that must be practiced and supplemented through observation, so keep a sketchbook, and take it with you everywhere. Look around you, draw what you see.  Visit the zoo and sketch animals. Sketch people at the mall. The more you draw, the better you’ll get. Good luck!

Fraggle Rock Cover - Coloring Step-by-Step

Recently, I did a cover illustration for the Fraggle Rock comic series. When I do large illustrations like this, I like to track my coloring progress through a series of iterative save files in Photoshop. This allows me to experiment without worry, knowing that I’ll be able to go back to an earlier version if I make a mistake. An additional benefit of doing iterative saves is that once the image is finished, I have the a step-by-step process that I can then share with you.

Here’s my coloring process on the Fraggle Rock cover from start to finish:

1) I start by scanning my clean pencil line art into Photoshop CS3 at 600 DPI. I use Brightness/Contrast, Replace Color, and the eraser tool to remove any stray lines or graininess. Sometimes I’ll leave some graininess for texture. Then it’s ready for coloring!

2) Once the line art is prepared, I reduce the file to the required output size for publication. (In this case it’s 10in.x10in. at 400dpi.) Then, using a “Hard Round” Brush (100% hardness, 100% roundess) in Photoshop CS3, I begin blocking in the basic colors and shadows, feeling out the mood and color scheme for the illustration. The cave sets in Fraggle Rock come in a rainbow of colors and lighting schemes, so my palette choices were pretty much unlimited. After some deliberation, I decided that a glowing blue interior chamber would be the perfect backdrop for the mystical and mysterious minstrel, Cantus. From there, I decided to play off the blue with yellow cave walls.

3) I continue building up the Fraggle characters, background, and foreground elements with additional shadows and highlights. At this point, I also start layering texture on the walls using a custom brush with grainy speckles. I’ll apply the textures a shade lighter or darker than the surface color, or sometime different colors altogether for extra “oomph”, and then soften the effect by lightly painting over them with the Hard Round brush. I frequently use this custom speckle brush  in The Last of the Polar Bears for the den walls and snow.

 4) Don’t be afraid to make changes midway through the process! (Do be sure to make backup saves, though!) I started to wonder if the red and brown shadows of the cave walls were too eye catching, and experimented with painting over them with a neutral blue. Experimentation can sometimes lead to fantastic, unexpected results, but in this case, it just helped me realize that the previous colors were fine, and that I needed to just keep going. I discarded this iteration and went back to the previous version.

5) I continued working up the shadows and highlights and refining colors. Once I get to this stage, I focus in on an area, and work my way up from background to foreground, finishing sections as I go. Here you can see Gobo is very close to complete, while work on Cantus hasn’t yet begun.

 6) And here’s the finished illustration!

Fraggle Rock Vol. 2, Issue 3 comes out later this year at comic book shops everywhere (visit comicshoplocator.com to find a local comic shop near you). In addition to the Cover B illustration, the issue also includes a short comic about Uncle Traveling Matt illustrated by me. Be sure to pick up a copy!

The Last of the Polar Bears - promo poster

This is the promotional poster for The Last of the Polar Bears.

The Last of the Polar Bears is what will hopefully become my next graphic novel. I've spent the last year thinking about it and the last couple months writing and developing the groundwork for it. I just finished plotting out the story in detail from beginning to end, so now I'm ready to move forward with the creation of the comic itself!

This promo illustration, portraying an iconic scene from the first chapter of the story, had a pack a lot of punch with a minimalist execution. With so little detail, it wasn't difficult to draw, but every aspect of it needed to be just right.

I find it very helpful to create a number of tiny thumbnail sketches, to quickly try out different takes on an idea. Working with a general idea of a polar bear cub poking his head out of the den for the first time, finding himself surrounded by an unending sea of white snow, I created a couple of concept sketches:
In these examples, note how composition, placement, and size of the cub play a big role in mood and feel.

#1 is a strong close up on the cub's face, grinning as he takes a peek at the outside world - cute, but completely at odds with the title of the book.

#3 is closer in feel - the landscape is vast, the cub is small--there's a real sense of loneliness going on, but it's so far pulled out from the character that scene no longer feels intimate.

#2 is almost right on target. The cub is cute and awestruck without looking too giddy. But the centered figure is boring and predictable.

#4 takes the aspects of #2 that I liked, but moves the cub into the lower corner. The title is placed in the upper right corner to balance the piece.

Once I had the composition figured out, I set about drawing the character.

He went through several drafts (including some slight variations with him smiling, not shown here) before I finally hit upon a version that worked for the poster.
And here you have it, the finished line art of the cub seen in the poster (flipped in the illustration):

Stay tuned for lots more. I look forward to introducing you to this little guy and the rest of his family. :)

Draw Furries: New Book!

I'm proud to announce the upcoming release of Draw Furries - How to Create Anthropomorphic and Fantasy Animals written and illustrated by me and Jared Hodges, published by Impact Books!



In a nutshell, Draw Furries goes over drawing anthropomorphic and animal characters. It's 128 full-color pages, covering step-by-step anatomy, poses, and species-specific details (wings, tails, eyes...) for feline, canine, equine, rodent and avian characters, plus coloring and backgrounds! The book also includes a bonus guest gallery featuring art by the very talented Bara-chan, Kelly Hamilton, CookingPeach aka Miu, and Makime!

Here's some sample spreads from the book:




The book comes out the beginning of December!

Invasion WIP 1

Here's a sneak peak cropping of the picture I plan on finishing up today.



These are the thumbnail sketches for the picture.



I decided to go with number 3 since it has the most action (boy leaping in the air), though I'm also fond of 1 and 2.

1 has a nice diagonal cut of water creeping into the image, and so many crabs that he is no place to put his other foot. Downsides - seems too posed, and the right leg pulled back almost looks like he's getting ready to kick crabs, which isn't my intention.

2 has a funny action of the boy pulling up his foot after a crab has snipped at it, causing the crab to also be launched into the air. I strongly considered it, but 3 won out for the stronger action and the sense that the crabs somehow snuck up on him.

Speedpaint 9 and 10 - Stairway and Dog

Speedpaint 10 - Dog
Photoshop CS3, 53 minutes.
Soundtrack: Square Enix Battle Tracks Vol.1

A friend's dog. I believe he's a Shiba inu, very handsome dog. Painting the short hair texture was a new challenge.





Speedpaint 9 - Stairway
Photoshop CS3, 34 minutes.
Soundtrack: drammatica -The Very Best of Yoko Shimomura-

A stairway at the UCF arena.

Speedpaint 7 and 8 - Heron and Swan

Speedpaint 7 - Great Blue Heron
Photoshop CS3, 36 minutes.
Soundtrack: Seiken Densetsu 2 - Secret Of Mana +






Speedpaint 8 - Black Swan
Photoshop CS3, 40 minutes.
Soundtrack: CREID Xenogears Arranged

Speedpaint 6 - Ducks on the Water

Photoshop CS3, 44 minutes.
Soundtrack: Genso Suikoden Vocal Collection ~Faraway Star Echoes Of Love~

More Nature Speedpaints

Speedpaint 4
Photoshop CS3, 1 hour.
Soundtrack: None





Speedpaint 5
Photoshop CS3, 35 minutes.
Soundtrack: Assorted Michael Jackson

Nature Speed Paints + Boy and Gator 3 WIP

Here is where I currently am on the final Boy + Gator piece. I'm working my way down from top. The treetops and distant background details are done. Tomorrow, I plan on tackling the tree trunks and ground areas.


To brush up on my foliage painting abilities for the illustration, I did a couple of speed paintings, referenced from photos in my personal archive.



This was the view from my window at the last apartment I lived in. Photoshop CS3, 30 minutes.



Photoshop CS3, 50 minutes.

Watch me create the piece on livestream:

Boy and His Gator WIP 1

Here's the first drawing in a series of three about a boy and his pet gator. Who hasn't wished they could have an alligator for a pet? :)

Incidentally, I was at a park the other day, and had set down my purse for a moment to feed some seeds to a squirrel. When I picked up my purse, I discovered a small stowaway--no, not an alligator, haha--a baby lizard. When I tried to remove him, he scurried onto my hand and up to my shoulder and tilted his head to give me a seemingly quizzical look. I instantly fell in love with the little guy. Of course, I couldn't keep him, but I walked around with him for a bit before depositing him on a bush. He didn't want to leave. Friendliest baby lizard I've ever met. Good luck in your adventures, little lizard! *sniff*

Anyways, back to the drawing, I'm planning on drawing all three one after the other, and then doing the same with the coloring process. If I'm satisfied with the finished picture, the first one might just become the new picture for my next promotional postcard.


Here's a sneak peek at the roughs for the other two:

Mother's Day WIP 1

With Mother's Day right around the corner, for my next portfolio piece, I decided to center my idea around "spending time with Mom". I have fond memories of my mom teaching me how to make lemon meringue pies and chocolate chip cookies; working together to make something delicious.

I had a couple different ideas for how to approach the concept:In the first two, the kids are baking cookies (and making a giant mother's day card in #2) to surprise Mom. I think these are fun ideas, but then I remembered that part of the purpose of this piece was to demonstrate my ability to draw an adult figure in addition to the kids.

In #3, the little girl is breaking an egg into the bowl while the younger brother "supervises", and mom offers guidance (and the puppy waits for treats).

Finally, in #4, mom assists the girl in putting the cookies in the oven while younger brother eats/drips cookie dough in the background.

I've decided to go with 4 since it has a lot of fun elements to it.

Unfortunately, I'm not sure if I'll be able to find the time to finish it before Mother's Day. But we shall see! After all, I didn't expect to finish Polar Pal today. It all depends on my comic schedule. Stay tuned for more progress.

Dragon Rider - Step by Step Colors

Step-by-step coloring of Dragon Rider.

Larger version on Deviantart here.

I figured I'd share since I already had the files tracking my entire progress through the picture. It goes from left to right. Step 2 and 4 are discarded color ideas.

Pencil + Coloring in Photoshop CS3.